About This Destination
Most of Arashiyama's visitors turn back at the bamboo grove. Keep going up the old Atago road through Saga-Toriimoto and, at the very top, you reach a temple whose hillside is crowded with 1,200 small stone figures, each with its own face. Some are laughing, some praying, some look half asleep, and a few hold objects that give away their carver's hobbies.
They are newer than they look. The temple itself is old: it was founded in 766 by Empress Shotoku in what is now the Matsubara area of Higashiyama, washed away by a Kamo River flood, and rebuilt in the tenth century by the monk Senkan, whose chanting of the nenbutsu gave it its name. In 1922 the hall and gate were moved out here to Saga to save them. By the war it had no priest, and a typhoon in 1950 badly damaged the grounds, the buildings and the statues.
In 1955 the Buddhist sculptor and restorer Nishimura Kocho became head priest. In the early 1980s he started a ten-year project: ordinary visitors, most of whom had never carved anything, made the 1,200 rakan (disciples of the Buddha) under his guidance. Forty years of moss have since settled them into the slope, and that is what makes the place: nothing here is grand, and much of it is funny.
The main hall dates from the middle of the Kamakura period and is an Important Cultural Property. The Jizo hall holds a Heian-period Jizo said to protect against fire. Admission is 1,000 yen; children aged 10 and under are free. It is open 9:00 to 16:00 and closed every Wednesday and Saturday, so check the day before you make the trip out. In November the maples above the statues turn, and the temple holds a Tengu Feast on the second Sunday of the month.
Getting here is the hard part. Kyoto Bus routes 62, 92 and 94 stop at Otagi-dera-mae, about 15 minutes from Hankyu Arashiyama Station, but only about once an hour. Walking from JR Saga-Arashiyama Station takes about an hour, mostly uphill; a taxi from its north exit takes about five minutes and costs around 1,500 yen.
Location
Prefecture: Kyoto
Address: Kyoto, Japan
Nearest Station: Saga-Arashiyama Station
Opening hours: Mon–Tue, Thu–Fri, Sun 09:00–16:00
Closed: Wednesdays and Saturdays.
Hours and fees checked against the official site on 14 October 2026.
Best time to visit: Mid to late November, when autumn maples frame the 1,200 moss-covered rakan statues; this tucked-away temple stays peaceful even at peak season
🍁 Autumn leaves: Early November – mid November in a typical year. See autumn leaves on the map
Visitor Information
Payment: Credit cards
Access
Kyoto, Japan
Get DirectionsFrequently Asked Questions
How do I get to Otagi Nenbutsu-ji?
Kyoto Bus routes 62, 92 and 94 stop at Otagi-dera-mae, right by the temple. From Hankyu Arashiyama Station the ride is about 15 minutes, and the temple quotes the fare as 230 yen, but buses run only about once an hour, and the way back to Arashiyama is route 90, so check its timetable too. Walking from JR Saga-Arashiyama Station takes about an hour, mostly uphill through Saga-Toriimoto. A taxi from the station's north exit takes about 5 minutes and costs around 1,500 yen. By car, the temple has parking for 10 cars.
What's the entry fee and opening hours?
Admission is 1,000 yen for adults; children aged 10 and under are free, and groups of 10 or more get 20% off. The temple is open 9:00 to 16:00 and closed every Wednesday and Saturday, so check the day before you set out. Allow 30 to 45 minutes to wander between the 1,200 stone rakan and visit the main hall.
When is the best time to visit Otagi Nenbutsu-ji?
Mid-November for the autumn foliage that surrounds the moss-covered statues, quietly one of Kyoto's most photogenic spots. Spring (April) for cherry blossoms is also lovely. Mornings before the few tour groups arrive (10 AM) are quietest; many visitors only make it as far as the bamboo grove, so this temple stays relatively peaceful even in peak seasons.
What's special about the 1,200 rakan statues?
They are not old. After a 1950 typhoon left the temple badly damaged, the Buddhist sculptor Nishimura Kocho became head priest in 1955, and from the early 1980s he spent ten years guiding ordinary visitors, most with no carving experience, as they made 1,200 rakan for the restoration. Every face is different, and some hold objects that hint at their carvers' hobbies. Moss and lichen have since grown over them, which is a large part of their appeal: nothing here is grand, and much of it is funny.
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